23,985 Royalty-Free Audio Tracks for "Audio Files Of Music By Antonio Vivaldi"

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Chopin Scherzo No. 1, bars 305-312

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Mendelssohn; Midsummer Night's Dream - Scherzo

Chopin Scherzo No. 1 bars 1-8

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Antonio Scotti's March 30, 1908 Victor Records recording of "Gia, mi dicon venal" from Giacomo Puccini's Tosca. Victor 88122 Antonio Scotti (1866-1936), baritone Tosca - Gia, mi dicon venal Mat. C-5084-3 Rec. March 30, 1908 Digital Transfer produced by Tim Ecker for the Internet Archive.

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Italiano: Enrico Caruso canta Pimpinella (registrazione 78 giri)

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. No equalization performed here on the recording produced from a TASCAM DR-100MKIII using its internal electret condensor microphones.

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Johann Pachelbel: Fugue on the Magnificat Primi Toni, No. 1 performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Domenico Scarlatti: Sonata K10 performed by David Joseph Stith on a Flemish harpsichord built by Gerald Self in 2020.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Basse de Cromorne, de la suite pour orgue en ré majeur.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

sound sample of Tchaikovksy's Francesca da Rimini

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Under the Pyramids, H.P. Lovecraft "It occurred to me that judging from the elaborateness of this worship, the concealed deity must be one of considerable importance. Was it Osiris or Isis, Horus or Anubis, or some vast unknown God of the Dead still more central and supreme?"

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Enosis, Christopher Pearce Cranch "We are spirits clad in veils: Man by man was never seen: All our deep communing fails To remove the shadowy screen."

A Bull of Heaven musical piece.

Masnavi, Jalal al-Din Muhammad Rumi "We all are lions, but lions on a banner: because of the wind they are rushing onward from moment to moment. Their onward rush is visible, and the wind is unseen: may that which is unseen not fail from us!"

A Bull of Heaven musical piece.

Tao Te Ching, Lao-tzu (S. Mitchell translation) Chapter 55 "He who is in harmony with the Tao is like a newborn child. Its bones are soft, its muscles are weak, but its grip is powerful."

To One In Paradise, Edgar Allen Poe "And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams-- In what ethereal dances, By what eternal streams!"

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

A Bull of Heaven musical piece.

Henry V, William Shakespeare Act III, scene vi "HENRY: I tell thee, herald, I thought upon one pair of English legs Did march three Frenchmen."

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The Gnostic Bible* (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said to them, When you make the two into one, and when you make the inner like the outer and the outer like the inner and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter the kingdom." The Gospel of Thomas is a Coptic text with many different variations. This version (from the Gnostic Bible) is the most likely source for these two titles, based on what we know of BoH's interest in religion and how exactly the phrases match.

A Bull of Heaven musical piece.